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In late Victorian England, even as the sword was being rendered useless on the battlefield, swordsmanship was experiencing a unique revival. Captain Alfred Hutton and Egerton Castle, both devoted fencers and amateur historians, led a systematic study and reconstruction of combat with all the weapons of the Elizabethan arsenal - the elegant rapier, deadly sword and buckler, and the massive two-handed sword. Their work found practical expression in classes, exhibitions, academic lectures and theatrical combat, for audiences as diverse as school children, soldiers and the Prince of Wales. Yet for all of their efforts, Hutton and Castle did not establish a tradition of historical swordsmanship that survived their own generation. Instead, their books and essays were largely forgotten until the second revival of ancient swordplay in the late 20th century, and today's researchers often view these early efforts with a cavalier or dismissive eye. In Ancient Swordplay: the Revival of Elizabethan Swordplay in Victorian England, 19th-century martial arts scholar, theatrical fight director and martial artist Tony Wolf reexamines Hutton and Castle's work, both through their own words and those of their enthusiasts, students and critics. Rather than earnest but misguided amateur scholars, they are revealed to be the inventors of a systematic study and practice of lost fighting arts that has only been exceeded in recent years, worthy of being celebrated as the true pioneers in the field.

• Sales Rank: #3936923 in Books
• Published on: 2010-01-30
• Original language: English
• Dimensions: 9.00" h x 6.00" w x .75" l,
• Binding: Paperback
• 181 pages

About the Author
New Zealand citizen and US resident Tony Wolf has spent more than thirty-five years in an international career blending the martial and the creative arts. He has authored or edited nine books and numerous articles for journals, anthologies, websites and encyclopedias. His script for the one-act play Satisfaction tied for first place in the 2006 Joining Sword and Pen international playwriting competition. Tony's fight choreography and action design have been featured in more than two hundred stage, screen and video game productions, including cultural fighting styles design for the Lord of the Rings trilogy. A pioneer of motion capture action design, he was also instrumental in the revival of Bartitsu, a mixed martial art created at the turn of the twentieth century.

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4 of 4 people found the following review helpful.
Essential for the bookshelf of fencers and historical fencers
By MJE
This is a much overdue study of the first 'modern' revival of historical European martial arts, which happened in the late-Victorian and Edwardian period.

Whilst there have been many books in recent years dedicated to the earliest documented European martial arts, from the medieval period, what has been neglected is a published study of the first people who sought to revive and recreate these ancient martial arts; the likes of Captain Alfred Hutton, Egerton Castle and their contemporaries.

Without these chaps we probably wouldn't have some of the ancient sources we do today, as they collected and documented so many of the manuscripts and books that survive in libraries and archives now. Beyond this, they also wrote about their views on these ancient texts, which gives us a unique view into their views of fencing and martial arts in general.

This book is quite narrow in its scope, but also quite in-depth and exacting for it. It is not a big book, but covers what needs to be covered. It will contain some interesting new bits of information for just about any student of fencing history. It is written in plain English and sets out the subjects in a logical and easily consumed manner.

My only criticisms would be that it is quite pricey for its size and availability outside the USA is not great.

Highly recommended for anybody interested in the history of fencing.

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• Sales Rank: #758987 in Books
• Published on: 2009-07-12
• Binding: Paperback

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2 of 2 people found the following review helpful.
Good book for horse racing fans
By Robert P. Fiebelkorn
Very good book from star to finish. Brought back memories of watching the 73 Triple Crowb. A lot of history on race horses and interseting read

1 of 1 people found the following review helpful.
The Full Story
By cammie
This book told the Secretariat story with great detail about both the horse and the people involved. The result was a better understanding of this great horse and racing.

0 of 0 people found the following review helpful.
It's more like a very detailed fast-moving documentary of literally hundreds of ...
By S. Dumas
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• Sales Rank: #631219 in Books
• Published on: 2011-03-04
• Original language: English
• Number of items: 1
• Dimensions: 10.60" h x .60" w x 8.30" l, 1.45 pounds
• Binding: Paperback

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1 of 1 people found the following review helpful.
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By M. Steed
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• Published on: 2017-03-28
• Original language: English
• Dimensions: .39" h x .39" w x .39" l,
• Binding: Paperback
• 540 pages

About the Author
John R. Dyson was formerly Director of Studies of the Heriot-Watt University Management Programme, Edinburgh Ellie Franklin is qualified as a Chartered Accountant with Deloitte and is currently a Senior Lecturer in Accounting, Audit and Finance at Middlesex University, London

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• Sales Rank: #474527 in Books
• Published on: 1986-02
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 328 pages

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22 of 25 people found the following review helpful.
A highwayscribery "Book Report"
By Stephen Siciliano
The only one reason NOT to envy Roger Vadim is that he's dead. Aside from that...

For filmophiles, "Bardot Deneuve Fonda: My Life With The Three Most Beautiful Women In The World," offers intimate portraits of three great mid-century actresses.

For Europhiles, it offers a panoramic view of "La Dolce Vita" on the Old Continent after World War II. A great time for those who survived the conflict in one piece.

A couple of years ago the scribe read "The Good, the Bad, and the Dolce Vita," by blacklisted actor Mickey Knox. Although enjoyable, Knox was entering the universe in question by the back door and could not write worth a lick.

Vadim's a different case altogether. His father was the son of a Russian diplomat chased from the mother country by Bolsheviks: "Like all children of Russian diplomats, he spoke French fluently. After graduating in political science, he took the civil service examination and passed with flying colors. Named consul at the age of twenty-eight, he married a French woman, Marie-Antoinette Ardilouze. His first post was the consulate in Alexandria, Egypt."

You get the idea.

Those hip to European culture know the best way to rebel in life is to have an aristocratic background and that is what Vadim did, throwing his lot in with the long-hairs (of his day anyway), opting for a life in film, and developing a great reputation as seducer of (younger) ladies.

His first was Brigitte Bardot whom he met on a Parisian bus when she was just 15-years-old. He spent the next few years dodging her father "Pilou," whom was under the impression his daughter was still a virgin, when Vadim had settled that question well before they married once Brigitte turned 18.

Vadim/Bardot made a unique team, he a writer of characters for her, she the muse who played them out before the cameras. Neither could have made it without the other and it is their tale which is most interesting of the three largely because neither is famous yet, and we get to see how things evolved for them professionally.

Bardot wanted to be a "prima ballerina" but ended up in film, it would seem, largely because of her disinterest (aspiring actresses take heed).

And although Vadim's novel approach to film making and storytelling were crucial to harnessing Bardot's raw rebelliousness, her raw rebelliousness was crucial to his film making/storytelling.

She had a natural and casual attitude about the world around her, most unimpressed by status and blessed with a wicked tongue. Keira Knightley's recent turn in "Pride and Prejudice" comes to mind.

Early on (page 50), Vadim is making the rounds of "haute Paris" with his sexy young charge/lover/business partner. One such stop is at a famous mansion on 72 rue de Varenne, where all manner of luminaries are gathered including a young senator from the United States, John F. Kennedy.

Again, you get the idea.

Here's Vadim: "Among the guests was a woman whose amorous adventures had been the talk of Paris for more than thirty years. Simone Beiau, now a theater director, had been a great courtesan. Now over fifty, she had become subdued, but she remained notorious for her immoderate language. She decided to get a laugh by attacking Brigitte.

`Are you a virgin?' she asked her point-blank. She expected to upset the young girl and make her blush.

But without becoming flustered, Brigitte replied, `No, madam. Are you?'"

(And whatever happened to courtesans, anyway?)

His rendering of Bardot is that of an unstable girl desperately in love with the idea of love, but not so good at the real thing and certainly not monogamous (understandably difficult for her to achieve).

The pair's big break came with Vadim penning and lensing (that's Hollywood "Variety" talk for writing and directing) a film in which she appears naked, sort of, by today's standards, but more than that comes across as a girl who enjoys sex; a posture most upsetting to the crumbling, but still deeply Catholic-bourgeois, order in France. So much so, the government tried to stop the film from screening [this is before YouTube kiddies]. The case went to court. Vadim and producer Raoul Levy prevailed thanks to their attorney - Francois Mitterand, future president of France.

You get the idea.

Here's an exchange between Bardot and none other than Winston Churchill, who ran into each other, per chance, in a hotel during the shooting of "And God Created Woman":

"`When I was eight years old and heard you on the radio, you frightened me,' said Brigitte, `But now you seem rather cute, considering you're a legend.'

`Cute' was not a word people normally used to describe Churchill to his face! The great orator remained speechless.

`What are you doing in Nice?' Brigitte asked, in order to fill the silence.

`Painting,' replied Churchill. `You are an actress, and I am a painter. We have art in common.'

`My father bought one of your landscapes,' said Brigitte.

`I don't sell my paintings.'

`Well, then your friends do. The painting my father bought has a hill, a parasol pine in the foreground and the sea in the background. Do you remember it?'

`And on the right a broom bush in flower?'

`Yes. Do you like to paint?'

`I love painting. But I shall never go down in history with C�zanne.'

`You know, my films are not nearly as good as your paintings. And I never won a war.'

`That is no great loss,' Churchill concluded."

A couple of days later, old Winny tried to get Brigitte to come by for dinner!

As hinted above, Bardot turns out to be more than a little unfaithful to Vadim, who moves on to marry a Danish women named Annette, whom he puts in a movie and loses to her desires for fame and fortune, film style.

Then he hooks up with Catherine Deneuve. By now Vadim is a famous MAN OF FILM and 17-year-old hotties with stardust in their eyes come his way regularly, so there's less intrigue than with Bardot, a more ingenuous romance in the springtime of their loving.

He is thirty-two, at this point, and after a few comings and goings, sets up his seduction of C. "But age didn't make a difference," he wrote, "Neither did experience, for women know many things without needing to learn them."

Now, that may not sound like overheated and steamy prose to you, but the scribe has vivid enough imagination to plug-in a young Catherine Deneuve - the one wearing the Chanel outfit in Polanski's "Repulsion" - for things to get hot and steamy without any verbal assistance whatsoever.

Deneuve is beautiful, but she is stern, and cool and rather domestic for a flaming faux blonde and French siren. As such, Vadim's continuing adventures as a race car driver for Ferrari, as a friend of eccentric aristocrats, and denizen of exciting Latin countries take over at this juncture in this autobiography.

After C. dumps Vadim, he moves on to an up-and-coming Jane Fonda, who enters at about age 17. Again, there are many reasons to envy and despise Roger Vadim, were he not gone from us.

Their idyllic life on a farm somewhere near Versailles is enough to depress any American middle-classer and one has to wonder why Fonda, Hollywood royalty, with a film or two under her belt, would want to give up this paradise to get half-naked, smooch with men she doesn't know, and do press junkets for films.

The rendering of Fonda is one of a conflicted little girl trying many ways to grow up. The contrast between the two French women, hurtling at warp speed into sex and serious life, and the American girl, hung up on "finding herself," is rather revealing.

Jane, casting about in the lap of luxury and under the entire world's gaze, finds her identity as an opponent to the Vietnam War, and it's only a matter of time before Vadim moves onto his fifth wife and first non-actress.

It's surprising Fonda found no room in her life for Vadim following her transformation. It was he who introduced her to another understanding of the United States beyond her own apple-pie version, and Vadim himself seemed to walk into historical situations by happenstance.

Just before the outbreak of the May `68 rebellion in Paris, he finds himself chosen by a dissident faction of the film industry's workers and technicians union to lead them. He wins the election, the riots break out, and Vadim is, again, a front-and-center-protagonist in the dramatic events that follow.

A brilliant intellectual (is there another kind?), his thoughts on these moments and others are worth the read even if you're in it just for the cheesecake.

When Fonda tells him she thinks, "The government will be overthrown," he tells her, "I'm convinced of the contrary. The Communists have mobilized their troops and joined the students' camp in order to take control of the situation and nip the movement in the bud. They can't accept a revolution that outflanks them on the left. The Communist Party will not admit it, but it is the government's potential ally."

Which is what came to pass.

"Few people made the same political calculation as I did. Even the president of the Republic, General de Gaulle, believing his government had lost the battle, left Paris secretly by helicopter to get the support of the French occupation army in Germany."

And why should he be humble, bumble?

Vadim's life with Jane eventually jumped from France to Malibu, California where, despite their fading romance, he has a great time anyway hanging out with Jack Nicholson, or Andy Warhol, or Larry Hagman...

...but you get the idea.

0 of 0 people found the following review helpful.
Five Stars
By C. Serviss
What a life being with 3 beautiful woman and yes he was a director too!

0 of 0 people found the following review helpful.
Five Stars
By reviewer
Arrived on time. Works as advertised. Keeps the cats entertained.

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[B105.Ebook] Download Ebook The Dark Age (Ancient Future Trilogy), by Traci Harding

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Late one evening, en route to visit a relative, an accident leaves Tory―the attractive, twenty-something daughter of a prominent history professor―stranded near a ring of stones in Britain. Tory resolves to spend the night at the stone circle and seek help in the morning.…

But across the vortex of time and space, she is taken back to the Dark Age. There she meets Prince Maelgwn of Gwynedd and his band of warriors. Initially her ‘strange’ appearance frightens them and they believe she is the notorious witch fabled to frequent the site. But she overcomes their fear and soon the tales of her adventures, brave deeds and beauty spread across the land.

• Sales Rank: #6343918 in Books
• Brand: Brand: Bolinda Audio
• Published on: 2012-03-12
• Formats: Audiobook, MP3 Audio, Unabridged
• Original language: English
• Number of items: 2
• Dimensions: 6.75" h x .68" w x 5.25" l,
• Running time: 20 Hours
• Binding: MP3 CD

Features

• Used Book in Good Condition

About the Author
Traci Harding was born and raised in Sydney. A natural storyteller, she has been writing since childhood. Traci lives along the Hawkesbury River, NSW, with her husband and two children.

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12 of 12 people found the following review helpful.
Fantastic story, mediocre writing
By William M.
I read this book the first time when I was 17. I am currently reading it for the third time (9 years later). Unfortunately the writing is not very good and the characters are not very deep. But the story and the plot are so much fun. The mixture of history (or pseudo history), fantasy, mythology, time travel, gods, chosen ones, super powers..... It is all jam packed in there and with massive doses of cheesiness. I still love the book despite its flaws. I guess I would recommend it for younger readers who would not be so critical of the writing.

11 of 12 people found the following review helpful.
A Book Not To Take Too Seriously But Still Fun
By Glenn Martin
If you have read the likes of Diana Gabaldon's Outlander Series and found it a little too "real" or heavy going, but still liked the idea of a modern day woman going back to medieval times, then Traci Harding's work may be for you. The Ancient Future has a similar start to Diana's works in that a young woman is transported back in time, but where it becomes obviously different is the lead character, Tori, doesn't have a lot of sense in regards to "not changing the past with items from the future". Once I adjusted my thinking of the book to take it as a very light read and forced the suspension of disbelief, the book became a lot more enjoyable. The characters aren't as fleshed out as I would normally like and they seem to do things that you wouldn't normally expect. All the same, the super Goddess Queen Tori is out to change the past for a better future. So if *YOU* were transported back to old times and would happily whip out your walkman, your camera and teach all and sundry the finer points of martial arts, then you will love Traci Harding's The Ancient Future.

27 of 37 people found the following review helpful.
Rereading is not always a good idea
By Alannah Henderson
I first read this book when I was 13. I remember loving it. I loved the characters, and the plot. I thought it was awesome. I reread it about a week ago. I couldn't finish it. I was so completely distracted by the ridiculous usage of the word 'thou' that I dropped it about a third of the way through. I'm still shocked by the idea that I ever thought this book was any good at all. I would love to go back in time myself and slap my 13-yr old self in the face.

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[M581.Ebook] Ebook Die Gilde der Schwarzen Magier - Die Rebellin (German Edition), by Trudi Canavan

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Wer �ber magische F�higkeiten verf�gt, hat in Imardin die Macht. R�cksichtslos setzen sich die Mitglieder der Gilde der schwarzen Magier �ber die Armen und Gew�hnlichen hinweg. Keiner wagt es, sich zu wehren. Nur Sonea, das Bettlerm�dchen, begehrt auf ... und offenbart eine au�ergew�hnliche magische Begabung. Sonea wird als Novizin in die Gilde der Magier aufgenommen und ger�t ins Zentrum einer schrecklichen Verschw�rung …


Jedes Jahr zieht die Gilde der schwarzen Magier durch Imardin, um Bettler und Stra�enkinder aus der Stadt zu jagen. W�tend wirft Sonea, das Bettlerm�dchen, einen Stein – und verletzt dadurch ein Mitglied der Gilde. Was die Gilde schon lange bef�rchtet hat, ist eingetreten: Es gibt jemanden mit magischen Kr�ften – au�erhalb ihrer Reihen. Sie muss gefunden werden. Um jeden Preis. Sonea l�uft um ihr Leben …

• Sales Rank: #1257541 in eBooks
• Published on: 2009-03-11
• Released on: 2009-03-18
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Total gefesselt
By mona3210
Ein super Buch! Habs angefangen zu lesen und konnte nicht mehr aufh�ren. Komplett in 2 Tagen verschlungen. Klasse Charaktere und fesselnde schreibweise... freu mich schon auf das 2. Buch in dieser Triologie!

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[M807.Ebook] Ebook Free Front Stage, Backstage: The Dramatic Structure of Labor Negotiations (Organization Studies), by Raymond A. Friedman

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Raymond Friedman approaches labor negotiations with a conviction that negotiators are situated in a social network that greatly influences bargaining styles. In this carefully detailed and rigorous study of the social processes of labor negotiations, he uncovers the pressures and motivations felt by negotiators, showing why the bargaining process persists largely in its traditional form despite frequent calls for change. Friedman first focuses on the social structure of labor negotiations and the logic of the traditional negotiation process. He then looks at cases where the traditional rituals of negotiation were set aside and new forms emerged and, in the light of these examples, addresses the options for and obstacles to change.

In an unusual twist Friedman describes the persistence of the traditional negotiation process by developing a dramaturgical theory in which negotiators are seen as actors who perform for teammates, constituents, and opponents. They try to convince others of their skill, loyalty, and dedication, while others expect them to play the role of opponent, representative, and leader. Friedman shows that the front-stage drama fulfills these needs and expectations, while backstage contacts between lead bargainers allow the two sides to communicate in private. The traditional labor negotiation process, he reveals, is an integrated system that allows for both private understanding and public conflict. Current efforts to change how labor and management negotiate are limited by the persistence of these roles, and are bound to fail if they do not account for the benefits as well as the flaws of the traditional rituals of negotiation.

For negotiation scholars, Friedman's perspective provides an alternative to the rational-actor models that dominate the field; his dramaturgical theory is applicable to any negotiations done by groups, especially ones that face political pressures from constituents. For labor scholars, this is the first integrated theory of the negotiation process since Walton and McKersies's classic text, and one that helps unite the four elements of their model. For sociologists, the book provides an example of how a dramaturgical perspective can be used to explain the logic and persistence of a social institution. And practitioners will appreciate this explanation of why change is so difficult.

Organization Studies series

• Sales Rank: #3555976 in Books
• Published on: 1994-05-17
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.17 pounds
• Binding: Hardcover
• 271 pages

Review

Friedman is a keen observer of the rich complexity of the negotiation process. He vividly captures what is going on in collective bargaining and as a result of his on-line observations as well as extensive interviews, presents the dilemmas and rich tapestry of the process with considerable accuracy and faithfulness.

(Robert B. McKersie, Professor of Management, Sloan School, MIT)

Friedman's Front Stage, Backstage manages to capture all of the drama and complexity of contemporary labor negotiations. At the same time, he provides a rich, insightful, and informed framework for thinking about them. As Friedman shows, much of the bargaining action is often hidden from view, occurring away from the bargaining table. This is the best work to date with respect to elaborating on the important but largely overlooked 'behind the scenes' dynamics of conflict resolution.

(Roderick M. Kramer, Associate Professor, Organizational Behavior, Stanford University Graduate School of Business)

About the Author
Raymond A. Friedman is Assistant Professor of Business Administration at the Harvard Business School.

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Front Stage, Backstage: The Dramatic Structure of Labor Negotiations (Organization Studies), by Raymond A. Friedman PDF

Front Stage, Backstage: The Dramatic Structure of Labor Negotiations (Organization Studies), by Raymond A. Friedman PDF

Front Stage, Backstage: The Dramatic Structure of Labor Negotiations (Organization Studies), by Raymond A. Friedman PDF